The Deep End - A Shoot for the Australian Dive Team

We new it was in the pipeline, the Australian Dive Team had wanted to get their star athletes photographed for a recruitment drive and we were gonna shoot it. My representitive Luke Boman had shown my book to the right people and everyone was excited. Great!
The problem was when. When were we gonna get the whole squad at one place from all over Australia? We got the call on Saturday while I was on a forklift shooting down from above in a hangar we had painted black to form a giant studio. "Can we do it Monday?" yelled Luke. I said no, then yes, then yes, then no. Not because it was too rushed, but because before he yelled out the date he told me that the whole squad was together because it was during a national competition. I hesitated because I wasn't sure if I was gonna be able to deliver what we said we would during a competition. I wasn't just gonna shoot from the sidelines, they could get anyone for that.
I knew there was gonna be one question that would tell me how much access I could have..."can I use flashes?" Luke relayed on the phone...the answer came back yes, huh, I thought, cool.
We turned up Monday morning, sure enough, everyone was there. I met with Mary Godden the CEO of Diving Australia and was briefed on the days format. My first question was "where CAN'T I go?" She said "you can do whatever you like, just dont stand in front of the judges"
We set up speedlights in one corner where we would line up the athletes, and during the events I roamed around. I chose to shoot from the diving platforms for the mens heat, and shoot the underwater shots for the womens. The shot of Matthew Mitcham was taken while we were both standing on the 8 meter platform, he stopped and asked if I could read the scoreboard. I couldn't, my eyes aren't too good. He dove off and scored 3 nines.
Everyone was very cool, relaxed, and we had a good time. Big props to Jarrod Casey who assisted during the shoot and to Mary Godden and her staff for having me.
Of course the biggest thanks goes to all the athletes: Ethan, Briony, Alexandra, Matthew, Melissa, Scott, Olivia, and Sharleen. It was great working with you guys.

You can view the rest of the days work and connect on Facebook here

Brief technical info for us nerds:

Equipment list: Canon 1DsMkIII, 17 – 40 F4L, 50 1.4, 20 2.8 and 70 – 200 2.8IS, 3 speedlights, shot all action at 1600 ISO, portraits at 100 ISO

Green and Gold

Ken Wallace is a nice guy, a very nice guy. In fact if I had to as some people say tried to "capture" Ken's persona in a photo, it would probably include a sunset, a flower and little fluffy baby mittens.
Along with what makes Ken a cool down to earth guy is a hardened steely resolve that is paramount to elite athletes.
In the 2008 Beijing Olympic games Ken Wallace came from behind to win gold in the Men's K1 500m final, after winning a bronze medal earlier in the Men's K1 1000m. Since then he's gone on to win a number of awards including Australian Institute of Sport Sportsman of the Year and an Order of Australia Medal.
I caught up with Ken at the Australian Institue of Sport Kayak and Canoe Facility to shoot a series of portraits of him.
You can view the rest of the series here. There is a behind the scenes shot here.
My thanks has to go to the Australian Institue of Sport for the oppurtunity and my assistant for the shoot Jovanka Pyman.

Maddog's Run

Steve “Maddog” Madden’s training run starts in Tugun, heads across the border of New South Wales, winds through the hills of Northern NSW and cane fields of Murwillumbah, and hooks round the oceanfront back to Tugun, roughly 80 km round trip.

Serious cyclists like Steve are different from the groups you see who get dressed up and ride 2 blocks to the local cafe in athletic lingerie like a Lance Armstrong themed fancy dress party. A training run is long, lonely and hard mentally and physically.

High tec met low tec to get these shots, I wanted to get angles I hadn’t really seen before, so I rigged the camera to the bike using gaffer tape and zip ties, and used a radio trigger hooked up to the PC port in the camera to trigger focus and shutter release.

View the setup shots on my Facebook fanpage here.

The rest of the series can be viewed here

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Overpowering the Sun

Someone recently wrote to me and asked me how this photo was taken, and whether Photoshop was used to achieve the dramatic effect.

Now, although some processing was done in Lightroom. The effect does not come about by processing at all. The dramatic tones are a result of the flash essentially overpowering the light from the sun.

This photo was taken for US eyewear manufacturer Kaenon Polarized who sponsor Australian Paddleboard Champion Jamie Mitchell. Jamie lives up the street from me and this was shot around the corner from where we both live just before sunset.

To give the shot the effect you see, I stopped down the aperture to about F9, which due to the time of day really underexposed the ambient light and essentially made the shot too way too dark. Then, to compensate, I used a speedlight held by a voice activated lightstand (Jamie’s girlfriend Jocelyn) and fired it at the model to bring him back into correct exposure. I put a stofen diffuser on the speedlight to soften it.

What makes the image “pop” is the rimlight on Jamie’s side nearest to the sun which seperates him from the background and really brings him out.

You can overpower the sun at pretty much any time of the day, although to do so at midday you would need a lot more light than one speedlight can offer. Doing it when there is less ambient light is much easier if your lighting equipment is limited.

One final note, last week Jamie went on and won the 57 kilometer Molokai to Oahu paddleboard race in Hawaii for the 8th consecutive time, putting him in among an elite group of atheletes who have dominated at the highest levels of there respsective sports. Congratulations Jamie!

I launched my website this week, check it out here